Showing posts with label Travel/Airlines. Show all posts
Showing posts with label Travel/Airlines. Show all posts

Sunday, October 23, 2011

American Airlines |Seamless


American Airlines is running an advertising campaign focused on the airline’s effort to create a seamless travel experience for its customers. Each ad communicates the message that American Airlines and its innovative products and services enable the enlightened, modern traveler to, “Fly without putting your life on pause. Be yourself non-stop.” Modern special effects were used to give the ads a contemporary, cutting edge feel. Shot on-location in the Bahamas and Los Angeles, post-production special effects matched the lead characters’ experiences in their personal lives to their onboard experience. These special effects and seamless transitions required extensive use of a motion-control camera and digital production.
American Airlines Scuba Diving


After School opens on a mother and daughter discussing the youngster’s role in the school play as they sit cross-legged in their living room. But something’s a bit off kilter -- as the camera swings around the room, a pair of airline seats, which had been casual living room chairs in the previous shot, appear; then the soft glowing lights of a fasten-seatbelt sign blink on along the wall; and, very faintly, a droning voice states, “This is your captain speaking,” in the background. When the camera makes one final swing from daughter to mother and pans out, the elder is not in the living room with her daughter at all, but in the cabin of an American Airlines jet, engaged in the conversation via instant message on her laptop. 



Scuba follows a couple scuba diving through the rays of light, schools of fish and sea turtles off a sprawling reef. The first indications that this is not your standard reef appear in the form of a “Priority Access” sign lodged into the plant life, followed by a bank of screens showing the status of departing flights, which is just one example-in addition to text notifications and mobile boarding passes-of how American Airline passengers receive a streamlined, mobile boarding experience. As a school of fish darts in front of the camera, blurring the panorama, the water evaporates and the couple comes out in an airport terminal. “Fly without putting yourself on pause,” a narrator intones. “Be yourself, nonstop.



Credits

The Non Stop campaign was developed at TM Advertising by creative director Bernard Park, art director Brian Wood, director of broadcast production Hal Dantzler, producer Stephanie Murdoch.
Filming was shot by director Gerard de Thame via Believe Media with director of photographyMick Coulter, executive producer Michael McQuhae, producer Fabyan Daw.
Editors were Jack Waldrip, Artie Pena at Charlie Uniform Tango with executive producer Mary Alice, audio engineer Jake Kluge
Post production and effects were produced at Absolute Post by lead VFX/Flame artist Dirk Greene, VFX artists Warren Paleos, Krissy Nordella, Alex Gabucci, designers/animators Ed Manning, Jim Vidal, executive producer Sally Heath and producer Melissa Stephano.
Colorist was Ben Eagleton at Smoke & Mirrors, New York, with managing director Jo Morgan and producer Lauren Shawe

KLM gets live and personal with Twitter




Airlines and Twitter have a chequered history. Some airlinebrands have embraced theimmediacy that themicro-blogging platform has to offer, while others have come in for very public floggings from disgruntled passengers.


This stunt is the latest example of KLM's social mediaexpertise. Unusually, this strategy publicised KLM's readiness to embrace customerconversations through social media, rather than promoting ticket sales.

Rather than using Twitter to promotea new ticket offer or service, KLM wanted to let customers know about itscommitment to customer service in the social media space. KLM's social media policywas to answer every customer message personally within one hour, twenty-fourhours a day, seven days a week. The results was a Twitter response campaignthat was people powered in more ways than one...


KLM wanted to letcustomers know about the service that KLM offered in the social mediaspace. KLM's social media policy was to answer every customer messagepersonally within one hour, twenty-four hours a day, seven days a week.
In a move designed todemonstrate its commitment to customer service through social media, KLMdecided to spend a day replying to Twitter messages in person, or at moreaccurately, with 450 people.
Live reply involved the deployment of 450 KLMvolunteers working in three shifts to answer tweets, Facebook posts, or Hyves'scraps' using 140 characters at a time.

Followers and friendsof the brand could reach KLM through social media channels in Dutch orEnglish and ask anything regarding their travel or tickets. KLM also informedits followers about the latest airline news.
The human tweets werestreamed live on a dedicated site, and archived on the KLM YouTubechannel.
Results
This stunt is one of a number that KLM hasstaged on Twitter. Live reply saw approximately 70 videoswere uploaded onto the KLM YouTube channel, each achieving between 200 and6,500 views.
External links
BRAND: KLM
BRAND OWNER: Air France KLM
CATEGORY: Travel/Airlines
REGION: The Netherlands
DATE: September - September2011
MEDIA OWNERS: Twitter ,Facebook ,Hyves
MEDIA CHANNEL: Digital,Online,PR





Monday, September 5, 2011

DHL Express| “International Specialists”

DHL Express, the international express services provider, is running “International Specialists”, an advertising campaign translated into 25 local languages in 42 key markets worldwide with television, print, outdoor, digital and radio features. Two television commercials, “Grow” and “Runway”, introduce the “Speed of Yellow” concept, showing how key events are made possible by DHL, from creating a concept car in Paris, to receiving a circuit board in space, and putting the finishing touches to a designer dress in New York. The focus is on DHL’s expertise in logistics so it can deliver to its customers on time, every time, anywhere in the world. The TV and radio spots are accompanied by a modern cover of the classic anthem “Ain’t No Mountain High Enough,” which first featured in DHL adverts in 1991, now re-recorded by award winning producer Paul Epworth. This re-mixed version is available to download from iTunes.

DHL Express Speed of Yellow Campaign





DHL Express Science Print Ad
A scientific breakthrough is made in Hong Kong. The next day it’s aiding research in Tromso.
DHL Express Fashion Print Ad
A dress is stitched in Hong Kong. The next night it’s applauded in Paris.
DHL Express Export Print Ad
A contract is signed in London. By 10.30 am the next day it touches down in Wall Street.
DHL Express ImpexCar Print Ad
A bearing sits in a box in Guangzhou. By the end of the next day it’s in a chassis in Frankfurt.

Credits

The International Specialists campaign was developed at 180 Amsterdam by creative director Stephen Hancock, executive creative director Al Moseley, creative director Galen Graham, art director James Sadler, copywriter Dan Brooks, account directors Nicole Reid and Audrey Lefebvre, planner Mandy Graham, client team director Wolfgang Giehl, and agency producer Eline Bakker
Filming was shot by director Antoine Bardou-Jacquet via Partizan with director of photography Damien Morisot, producer David Stewart, executive producer Joe Togneri.
Post production was done at MPC (The Moving Picture Company). Visual effects were produced by Flame artist Karmen Markov. Editor was Bill Smedley at Work Post.
Sound and music were produced at P&S.

Thursday, September 1, 2011

Quebec City Magic Festival


Agency: Lg2, Quebec City, Canada
Creative Director / Copywriter: Luc Du Sault
Art Director: Vincent Bernard
Account Managers: Sandie Lafleur, Eve Boucher
Production Company: Nova Film / David Poulin, Charles Burroughs, Dominik Beaulieu
Production: Quatro Design / Enseignes Otis Image In

Monday, August 1, 2011

Australia Post| Zing Your Thing


Australia Post has released “Zing Your Thing”, an advertising campaign designed to promote parcel services to small and medium businesses that trade online. The campaign, online at zingyourthing.com.au, uses “Zing”, a red furry ball that comes in any size, a metaphor representing the different products and services that small businesses may provide.
Australia Post Zing site


Click on the image below to play the Introducing Zing video in YouTube (HD)
Popout

www.youtube.com/watch?v=MBrIDs5PTV0

Click on the image below to play the Zing Yoga (Balanzing) video in YouTube (HD)
Popout

www.youtube.com/watch?v=osxoFfAElz0

Click on the image below to play the Zing Fashion video in YouTube (HD)
Popout

www.youtube.com/watch?v=NV-eOXyagLk

Click on the image below to play the Zing Bo video in YouTube (HD)
Popout

www.youtube.com/watch?v=1iB64fOyHTU

Credits

The Zing campaign was developed at Marmalade, Melbourne, by creative director Neil Mallet, creatives Frank Trobbiani and Brian Thacker, agency producer Beaver.
Filming was shot by director Trent O’Donnell via Jungleboys with director of photography Simon Chapmanand producer Nicola Patterson
Digital work was by Amnesia Razorfish.

Saturday, June 18, 2011

Shangri-La :::“It’s In Our Nature”


Shangri-La Hotels and Resorts, the international hotel chain based in Hong Kong, ran an integrated advertising campaign with the tag line, “It’s In Our Nature”, expressing the hotel’s distinctive philosophy of hospitality lived out over 40 years. The campaign takes the viewer to epic locations to communicate a simple, universal truth – “There’s no greater act of hospitality than to embrace a stranger as one’s own.” The television commercial at the heart of the campaign introduces us to an exhausted traveller alone in an overwhelming and unwelcoming landscape. As night falls and the traveller gives into exhaustion, the wolves appear, not to add to his danger, but to live over him in order to give him warmth, embracing a stranger as their own.
Shangri-La Wolves print advertisement

Click on the image below to play the 3-minute In Our Nature video in YouTube (HD)


www.youtube.com/watch?v=wZeS0Un3jwk

Inspired by conversations with thousands of employees, partners and guests, the campaign focuses on the essence of the Shangri-La culture ‘embracing people from the heart and treating them like family’. “What is truly distinctive about the kind of Asian hospitality that Shangri-La offers is our colleagues’ genuine care and respect for our guests and each other. For us, this is more important than talking about palatial buildings or beautiful locations, which is why we choose this dramatically different and powerful style of campaign. It conveys the value of genuine kindness, something that is very relevant in today’s society,” said Greg Dogan, president and CEO of Shangri-La Hotels and Resorts.
The television advertisement was launched as a 90-second film, followed with a 60 and 30 second cut down versions for television, in-flight, online and cinemas. A three-minute version is available online atwww.shangri-la.com. The campaign includes a set of magazine advertisements, featuring wolves, dolphins and a swan.
Shangri-La Dolphins print advertisement
Shangri-La Swan print advertisement

Credits

The campaign was developed at Ogilvy & Mather, Hong Kong, by executive creative directors Simon Handford and Sandy Chan, creative director/art director Pierre Desfretier, art director Genevieve Hardy, copywriters Kwei Chee Lam, Edgard Montjean, Troy Sullivan, account team Adam O’Conor and Laura Le Roy, planner Catherine Moustou, and producer James Brook-Partridge.
Filming was shot by director Bruno Aveillan via Quad Productions, Paris, with director of photography Patrick Duroux, producers Martin Coulais, Claudia Traeger and Helene Karson.
Post production was done at Wizz, Paris, by editor Fred Olszak and producer Francois Brun. Sound was designed and arranged at Chez Jean, with music composed by Bruno Coulais.

Tuesday, June 7, 2011

The Brown Palace:::"Stay the Night"



A great new print and TV ad campaign from luxury hotel The Brown Palace brings classy back to advertising.  The ambitious campaign from the historic hotel located in Denver, Colorado beckons to it's days of past with it's stylish font and cocky yet clever copywrite over the beautiful images of the hotel providing  the backdrop.
 






Credits:
CD/AD: Sean Topping
CD/CW: Matt Ingwalson
AD: Camille King
CW: Karen Morris
AS: Lindsey Jacobsen
AC: Marissa Loken, Jackie Batts
MUSIC: Matt Nasi, Karen Morris, Kelsey Wittenberg
PRINT PRODUCTION: Shirley Richter
PHOTO & FILM: Bryce Boyer
EDITOR: Tom Welborn

Friday, July 9, 2010

Canadian Tourism Commission (CTC)| Experiential marketing

It's clear to me now that to develop true brand experience you have to integrate social media.
The formula for brand 3.0 } =Experiential marketing+ Social media marketing.









The Canadian Tourism Commission (CTC) has launched interactive murals to inspire Americans to book a Canadian vacation. These murals have taken over the streets of New York, Chicago and Los Angeles this summer - pulling content from Twitter to display real-time updates from and about Canada.

The digital storescapes celebrate the CTC's comprehensive social media strategy, and follow its 2009 Marketer of the Year award from Marketing Magazine.

The Canadian Tourism Commission can be found on the following social channels:


Tuesday, May 18, 2010

Missed the last 100 years? Find them in Jabal Amman



Wild Jordan is running a Jabal Amman photo treasure hunt on May 21st. There are clues hidden to help competitors find “some of our city’s
oldest treasures”.

Registration fee is 60JDs per a 4-person team, and it starts at 9:00 AM (the money will be used to protect the wild life in Jordan).
The first three prizes are:
- Accommodation for four at Feynan Ecolodge and a gift vouchers from The Nature Shop for the amount of 25JD/person for all of the members of the first winning group.
- Gift Voucher of 100JD for lunch at The Café (Wild Jordan)
- A trip for four to the Wadi Mujib water trail

Sunday, May 16, 2010

KLM Airlines| Suitcase Art Project




IDEA/Challenge: How to communicate the most attractive prices of KLM when people are bored from tactical campaigns and they are ignoring price communication. Instead of an AD let’s give people ART!


Strategy/execution: Hungary’s most talented young artists created several artworks inspired by our destinations, and we turned the whole city into an urban gallery. This is how a tactical campaign turned into a cultural event.


Results:
• More than 500.000 people visited the exhibition during the campaign.
• More than 80.000 Euro free PR was produced
• And we almost doubled the sales requirements.



KLM Airlines: Suitcase Art Project


Advertising Agency: Leo Burnett, Budapest, Hungary
Creative Director: Vilmos Farkas
Art Director: Peter Vagvolgyi
Copywriter: Gergely Horvath
Account dir: Krisztina Szabo
Account executive: Dora Horvath
Account assistant: Kata Filep
PR manager: Emese Juhasz
Print prod manager: Katalin Dengelegi
Web developer: Roland Izso
Published: September 2009

Auckland Zoo| Birth Notice

Auckland Zoo: Birth Notice
Rukiya & Zabulu, are proud to announce the arrival of their beautiful baby boy, Jelani, born 6.00am Friday, March 5th at their home. Mum and baby are doing well.
Come see our new baby giraffe. Auckland Zoo.
Advertising Agency: Ogilvy, Auckland, New Zealand
Executive Creative Director: Damon O'Leary, Basil Christensen
Art Director: Freddie Coltart
Copywriter: Matt Williams
Account Manager: Hannah Downes
Published: April 2010

Tuesday, May 11, 2010

Italian Culture Week | Integrated Campaign




Advertising Agency: Saatchi & Saatchi, Milan, Italy
Creative Directors: Agostino Toscana, Alessandro Orlandi
Deputy Creative Directors: Luca Lorenzini, Luca Pannese
Art Director: Luca Pannese
Copywriter: Luca Lorenzini
Supporting Creative Team: Davide Iacono, Andrea Afeltra, Riccardo Gianangeli
Published: April 2010

Friday, March 26, 2010

Dubai Metro|Stop writing on me! I'm using the metro!

I haven't left

Dubai Metro: I haven't left


Wash me

Dubai Metro: Wash me
Stop

Dubai Metro: StopAdvertising Agency: Saatchi & Saatchi, Dubai, UAE
Executive Creative Director: Marc Lineveldt
Creative Director: Danny Higgins
Copywriter: Neil Harrison
Advertiser’s Supervisor: Sara Mohammed Al Mudharreb
Account Manager: Hema Patel
Account Supervisor: Chandresh Rughani
Art Director: Darren Jardine
Photographer: Tara Atkinson

Wednesday, March 17, 2010

Egypt... Where it all begins

EgyptEgypt Logo, Before and After


 A new campaign for the Egyptian Tourist Authority developed by the Cairo office of JWT aims to establish Egypt as a place where there is more than really big tombs. And accompanying this campaign is a new logo.






The print and TV campaign perhaps does too good a job in touting other things to think about when we consider Egypt, and it starts to look more like a Caribbean island combined with a non-stop party place where you can golf and, by the way, you can catch some pyramids in between all of that. But maybe after all that, Egypt just starts to feel like a generic destination.



Egypt